Jazz Focus

Uncharacteristic sessions from two musicians unfairly pigeon-holed as dixielanders . . here playing superb mainstream Jazz with much more modern-sounding rhythm sections . .Russell's clarinet is heard with Buck Clayton (trumpet), Tommy Flanagan (piano), Wendell Marshall (bass), J.C. Heard (drums) and Freeman is on tenor with Shorty Baker (trumpet), Claude Hopkins (piano), George Duvivier (bass) and Heard.

Rex Stewart and His Orchestra - a septet of fine musicians touring France, Sweden and Germany in late 1947 through 1948.  Great arrangments fo swing tunes, novelties, some dixieland and even some bebop with Stewart, Sandy Williams (tbn), John Harris (clt and alto), Vernon Story (tenor), Don Gais (p), Fred Emelin and Ladislas Czabanyck (bass), Ted Curry (drums) and Stewart and Honey Johnson on vocals

Some of the New Orleans trumpet player's first recordings after being rediscovered . . with Kid Ory's band (Mutt Carey on cornet, Kid Ory on trombone, Wade Whaley on clarinet, Buster Wilson on piano, Frank Pasley on guitar), Ed Garland on bass, Everett Walsh on drums), Lu Watters Yerba Buena band (Watters on trumpet, Turk Murphy on trombone, Ellis Horne on clarinet Burt Bales on piano, Pat Patton on banjo, Squire Girsback on bass, Clancy Hayes on drums and vocal, Sister Lottie Peavey on vocals) and his own group recording for World Transcriptions (Floyd O'Brien on trombone, Whaley, Fred Washington on piano, Pasley, Red Callender on bass and Lee Young on drums)

Clarence Williams records not released under his name . . The Dixie Washboard Band, Bluegrass Feet Warmers and Seven Gallon Jug Band.  .featuring Ed Allen, Willie "The Lion" Smith, Buster Bailey, Carmelo Jari, Cyrus St. Clair, Floyd Casey, Benny Moten, Jasper Taylor, Arville Harris and others!

Three great mainstream sessions featuring the great Texas/Basie tenor sound of Buddy Tate (and clarinet on one number) with Claude Hopkins and Tommy Flanagan on piano, Emmett Berry, Joe Thomas and Clark Terry on trumpets, Wendell Marshall and Larry Gales on bass, J.C. Heard, Osie Johnson and Art Taylor on drums

Great small group sides made by the New Orleans pianist and entrepreneur Williams featuring many great black Jazz players of the day including Bubber Miley, Ed Allen, Tommy Ladnier and Louis Metcalf (trumpet), Joe Nanton and Charlie Irvis (trombone), Arville Harris, Ben Whitted, Don Redman, Buster Bailey and Coleman Hawkins (reeds), Leroy Harris and Buddy Christian (banjo), Cyrus St. Clair (tuba) and Floyd Casey (drums) with Eva Taylor and Kathleen Henderson on vocals

Drawn from three albums for Delmark and GHB, these records capture this classic trad band at its peak . . originating as a campus band at Purdue in the late 1940's, the Salty Dogs became the Original Salty Dogs by the mid 1950's and were one of the top two or three groups in the genre for decades.  Here, Lew Green (cornet), Jim Snyder (trombone), Kim Cusack (clarinet and alto), John Cooper (piano), Bob Sundstrom (banjo and vocals), Mike Walbridge (tuba) and Wayne Jones (drums) show how to reinterpret classic jazz.  On two tracks Clancy Hayes plays banjo!

Recordings by the Clarence Williams Blue Five and Red Onion Jazz Babies featuring Louis Armstrong during the year he spent in New York with the Fletcher Henderson Orchestra.  Also involved are Charlie Irvis and Aaron Thompson (tbn), Sidney Bechet, Buster Bailey, Don Redman and Coleman Hawkins (reeds), Lil Armstrong (piano), Buddy Christian (banjo) and Eva Taylor, Alberta Hunter and Clarence Todd on vocals

Some of the early New Orleans Revival recordings by Kid Ory's band - for Exner and Decca in 1945 and Columbia in 1946.  Featuring Mutt Carey (c), Ory (tbn), Joe Darensbourg and Barney Bigard (clarinet), Buster Wilson (p), Bud Scott (bjo and guitar), Ed Garland (sb), Minor Hall or Alton Redd (d), vocals by Ory, Cecile Ory, Darensbourg and Helen Andrews.

Louis' regular band in Chicago recorded several dates in January and April of 1933 for Victor with tunes he had popularized as well as come new pop material.  In addition to his singing and playing (definitely at a peak, despite reputed chops trouble), we hear Keg Johnson on trombone, Scoville Brown on alto, Budd Johnson on tenor, Teddy Wilson and Charlie Beal on piano, Mike McKendrick on guitar and Yank Porter, Sid Catlett and Harry Dial on drums